and convey, trembling,
the slab, the threshold. FGM
reread the notes on several vigils have taken on the poetry of Fina García Marruz now held its 88 years of life and is given the deserved award for Latin American Poetry Reina Sofía. First verse
(1939-1949)
Let's stay in the doorway. Because the genesis, in addition to error of youth, the inexperience, the phrase loosely, is the first flash of light bias announces the start of the main themes of the great obsessions lyrics of a poet. It would seem that often the main reasons for an author's poetic verse are probably incomplete or not so perfect adolescence. Life ahead is to look at the height of the perfection of language, image and ideas.
's visit the hall writing columns syntax of the first room to be built this woman with the speech. An arbor at the first light of day, waiting for God is named in silence, looking full in the deterioration around them, or order new architectural and social chaos that surrounds him. The word is for Fina roof and shell, interior, revelation, epiphany, cosmos, telos. Studious
Marti, conciliatory and Christian revolutionary ideas in texts such as Love as energy revolutionary José Martí , knowledgeable and scholar of Cuban colonial literature, a woman of great sensibility for poetry and essays, both sides Additional creating and communicating in his work, Fina García Marruz is, today, the most important Cuban poet living in a country that has historically been known as a land of poets.
Owner of verse and poetic prose, as Odysseus polytropic themes and tones, García-Marruz monosyllabic verse goes to the fullness of the tenth, the Alexandrian and the sonnet, and leads to continuous streams of lyrical prose, as sees in his fabulous polyphonic "An ode to Anacreon." The night time, the sacred memory, silence, the fullness of poverty are matters that are from his first compositions. Dialogue with the plastic, film, dance, music, poetry, the work of Marti ... His poetry is also a discovery of our America, including even the northern mainland is Teotihuacan North Carolina, of Arroyo Naranjo Miami, Ernesto Che Guevara to Abraham Lincoln.
In First verse, as reflected in its apédice poetic work published by Letras Cubanas in 2008, we see that the dedication to his friend Augusto (for whom she met Gaston Baquero) is just a sonnet, hence already the first composition, with respect to the formal, marks the author's taste for this closed strophic form and in content and points to the memory and words complement the vacuum of oblivion, rearranging the memory, reaching fullness of what is lost through the verb. Fina García-
has Marruz some of the best sonnets are written in English: "Love the breed and sad creature," "A fresh snow is falling" and "I want to write to the living silence" are examples, formal compositions risk of falls in fabulous enjambments poems that embody concepts such as the outside, silence and memory, so important in the worldview of the author.
As fragmentary, to the fullness of memory severed, this sonnet which serves as póritco and dedication, as the threshold of the doorway, scattered verses reconstructs his friend Augusto, incomplete sentences that the author rescues with ease and devotion of time . This evidence la vocación dialógica e intertextual, polifónica y multiculturalista de la autora que atraviesa toda su obra. Fina es, sin dudas, una restauradora (en el sentido plástico) del friso interminable que conforma la memoria, filtra en su voz las voces anteriores y contemporáneas que afectan su sensibilidad y que convergen con su manera de ver el mundo, cura con las palabras lo que habría quedado en el olvido o el vacío, reorganiza y cuelga en un orden insólito, renovado(como en una exposición) los dones del tiempo. El pasado es para Fina más vívido que el presente: “al ayer, no al mañana, el tiempo insiste”.
Fina realza la ruina, la arquitectura gravitante, y la acomoda steadily, the light so that it looks (is) full back in his imperfection, perfect in its fall, accurate within a new order. Cover a cosmos full of chaos and unexpected earthquake in a way to present what it has lost its reproductive structure, the abandoned, destruction, fire, either from his Havana, Arroyo Naranjo or the verses of his friend from school.
Given the missing word, at the memory, the devastation Fina does not despair, you have the patience and vision of the archaeologist, finds the origin in the destruction, rescue the splendor arcane. Reconstructed in his words, the broken body of a statue of Terpsichore or a house that only suffer, meet again in Brokers miraculous verses. The
Threshold (1940-1951), which includes poems not included in The lost looks, there's the night. Echoes of "the blessed night" in San Juan de la Cruz in his "Nocturne." Darkness was fruitful and Reproductive demiurgic, solid as a body. The poet relates the night with the words, the nature of language, wakefulness and written verse, and literature of the shadow, as the incarnation of the secret sound, the unspeakable, of Origin:
"Hear the full night, the psalms deep of the night.
The tumult of voices in the back, his body recklessly rock "
And indeed, we have not advanced anything. We arrived at dusk, the door has been ajar, we have not even wanted to call. We were on the threshold at the entrance, but here come some views from inside and, as a light flashes of promise, as their own "Hands of Light" who "remember / in the blind darkness, slowly, / prairie blue "words are heard, a body that moves from one room to another, you see a vase, a passage nearly impossible, a garden in the background, a man who reads, a girl retracted, which means" endless solitude that is the beauty "and is" in secret a strange family. " We did not want to disturb. In the courtyard of his poetry, for today, we stayed.
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